WickedKnightAlbel wrote:Those webisodes aren't recent. The earliest one seems to take place around the beginning of the recording process, back in February of 2014, shortly after Dan, Mike and David met and decided to start writing material together. Around that time John was playing in Adrenaline Mob and that supergroup called The Foundry with Blaze Bayley and A. J. Pero (R.I.P).

Also during 2014, he had to record that debut album with Art of Anarchy, and he was also asked to record bass on Geoff Tate's debut album, The Key as a part of the Operation: Mindcrime line-up.

He had the most projects of anyone. It'd be asking a lot to just drop them all.

disturbed fan86 wrote:https://www.youtube.com/watch?v=LzrWzeVEsvg I typed john moyer interview in 2015 this is what's come up

Sunday morning Disturbed jam. That's right while you are nursing your hangover we are at the church of metal!

Zederia wrote:if you watched the webisodes they said he was in san diago (or something) and were bouncing things back and forth. he was indeed involved, but could not officially record them.

GizmoKSX wrote:John's name has never appeared in writing credits as listed on ASCAP since he joined. Immortalized credits everything (except "The Sound of Silence," of course) to Draiman, Donegan, Wengren, and producer Kevin Churko. (Churko is also credited as a co-writer on the Ozzy albums he worked on.) He probably kept busy with other projects during the whole album process. I don't know that he'd get royalties if he neither wrote nor played on it; I'm guessing that his pay has always been handled differently than that of the founding members.

Ravensclaw wrote:he deserved the credit for TTF and for Immortalized id understand if John came up with the rifts and sent the notes through the net so danny could program them that i could understand if thats what happen but to take credit and again for john not to get any well thats like him being a stand in or a guest on the album